Nine Ways to Get Your Groove On, 2017, Acrylic on curly maple, 28 x 25 x 1 inches, 71.1 x 63.5 x 2.5 cm, MMG#29265
Something Left, 2018, Acrylic and spray paint on curly maple, 25 3/4 x 28 inches, 65.4 x 71.1 cm, MMG#29781
Filling, 2017, Acrylic on maple, 26 x 35.5 inches, 66 x 90.2 cm, MMG#29782
Jason Middlebrook, Inspired by the Western Geodes, 2014 - 2015, Acrylic on Elm, 104 x 25.5 inches, 264.2 x 64.8 cm, MMG#29779
Jason Middlebrook, 14 Ways to Get Your Groove On, 2017, Acrylic on Maple, 89.25 x 19.75 inches, 226.7 x 50.2 cm, MMG#29780
Five Hallow Places in a Solid Body, 2017, Spray paint and acrylic on maple, 23 1/2 x 30 inches, 59.7 x 76.2 cm, MMG#28866
Nine Ways to Get Your Groove On, 2017, Acrylic on maple, 20 x 20 inches, 50.8 x 50.8 cm, MMG#28864
Dividing My Time, 2017, Acrylic on elm, 98 1/4 x 26 1/2 x 1 inches, 249.6 x 67.3 x 2.5 cm, MMG#28946
Long Grain Down, 2017, Acrylic on cherry, 16 x 66 inches, 40.6 x 167.6 cm, MMG#28862
Nine White Paintings, 2016-2017, Acrylic on maple, 17 x 25 inches, 43.2 x 63.5 cm, MMG#28863
Ten Paintings Inspired by Stain Glass, 2016, Acrylic on walnut, 24 x 19 x 1 inches, 61 x 48.3 x 2.5 cm, MMG#28945
We Can All Relate, 2016, Acrylic on maple, 27 1/2 x 24 x 1 inches, 69.9 x 61 x 2.5 cm, MMG#28950
Different Shades of Light, 2016, Acrylic on maple, 26 x 31 inches, 66 x 78.7 cm, MMG#28865
Taken from the Savannah River #2, 2014, Acrylic on cypress, 79 1/2 x 9 1/2 x 1 inches, 201.9 x 24.1 x 2.5 cm, MMG#28947
JASON MIDDLEBROOK (b. 1966 in Jackson, MI) received his Bachelor of Fine Arts degree in 1990 from the University of California at Santa Cruz, and his Master of Fine Arts degree in 1994 from the San Francisco Art Institute. He also participated in the Independent Study Program at the Whitney Museum of American Art, New York, NY in 1994-1995, and completed an Iaspis Residency in Stockholm, Sweden in 2009-2010.
Recent solo exhibitions include Jeff Bailey Gallery, Hudson, NY; “My Grain,” Galleria Pack, Milan, Italy; “Drawing Time,” David B. Smith Gallery, Denver, CO; “The Small Spaces in Between,” Gallery 16, San Francisco, CA; “Your General Store,” New Mexico State University, Las Cruces, NM; “Gold Rush,” Peters Projects, Santa Fe, NM; “Jason Middlebrook: Mosaic Tree Stumps,” Jeff Bailey Gallery, Hudson, NY; Morgan Lehman Gallery, New York, NY; “There is a map in every tree,” Monique Meloche, Chicago, IL; “Line over Matter,” Lora Reynolds Gallery, Austin, TX; “Submerged,” SCAD Museum of Art, Savannah, GA; “The Line That Divides Us,” Lora Reynolds Gallery, Austin, TX; “My Landscape,” Massachusetts Museum of Contemporary Art, North Adams, MA; and “Underlife,” Albright-Knox Gallery, Buffalo, NY.
Recent group exhibitions include “New Acquisitions / Nuevas Adquisiciones: UAG Permanent Collection 2015-2017,” University Art Gallery, New Mexico State University, Las Cruces, NM; “Wood as Muse,” The Art Complex Museum, Duxbury, MA, curated by Donna Dodson and Andy Moerlein; “Maker, Maker,” Children’s Museum of the Arts, New York, NY, curated by Paul Laster and Renée Riccardo; “Taconic North,” LABspace, Hillsdale, NY, curated by Susan Jennings and Julie Torres; “Cortesie per gli ospiti,” Galleria Pack, Milan, Italy; “Casa Futura Pietra,” Parco Archeologico di Siponto, Siponto, Italy; “Painting @ The Very Edge of Art,” Contemporary Art Galleries, University of Connecticut, Storrs, CT; “The Big Show 9,” Peters Projects, Santa Fe, NM; “Painting is Dead?!, Figure One, University of Illinois, Champaign, IL; “Misappropriations: New Acquisitions,” Orange County Museum of Art, Newport Beach, CA; “Geometries of Difference: New Approaches to Ornament and Abstraction,” Dorsky Museum of Art, State University of New York, New Paltz, NY; “Into The Woods,” Morris-Warren Gallery, New York, NY; “NOW-ISM: Abstraction Today,” Pizzuti Collection, Columbus, OH; “My Landscape, abstracted,” Museum of Fine Arts, Boston, MA; “SITElines,” SITE Santa Fe, Santa Fe, NM; “Jason Middlebrook / Letha Wilson,” Retrospective, Hudson, NY; “Painting: A Love Story,” Contemporary Arts Museum Houston, Houston, TX; “Second Nature,” Albany International Airport, Albany, NY; “Visual Arts Faculty Exhibition,” Bennington College, Bennington, VT; “Expanding the Field of Painting,” Institute of Contemporary Art, Boston, MA; and “Pattern: Follow the Rules,” Broad Art Museum, Michigan State University, East Lansing, MI, which traveled to Museum of Contemporary Art, Denver, CO.
His work is included in the permanent collections of Addison Gallery of American Art, Andover, MA; Albright-Knox Art Gallery, Buffalo, NY; Altoids Collection, New York, NY; Arthouse, Austin, TX; British Airways Art Collection, Waterside, United Kingdom; Denver Art Museum, Denver, CO; Harn Museum, University of Florida, Gainesville, FL; Marte Museum, San Salvador, El Salvador; Microsoft Corporate Art Collection, Redmond, WA; Museum of Contemporary Art, Chicago, IL; Museum of Modern Art, New York, NY; NASA Art Program, Washington, D.C.; New Museum, New York, NY; Pacific Bell, San Francisco, CA; Progressive Art Collection, Mayfield, OH; and Whitney Museum of American Art, New York, NY
Middlebrook lives and works in Hudson, NY.