Melt Into Stone, 2018, Acrylic on canvas over panel, 82 1/4 x 104 inches, 208.9 x 264.2 cm, MMG#30126
Brave Distant, 2017, Acrylic on canvas over panel, 64 x 86 inches, 162.6 x 218.4 cm, MMG#29165
You are Here, 2017, Acrylic on canvas over panel, 18 x 14 inches, 45.7 x 35.6 cm, MMG#29166
Night Noise, 2017, Acrylic on canvas over panel, 16 x 16 inches, 40.6 x 40.6 cm, MMG#29640
You're not alone, 2018, Acrylic on canvas over panel, 67 x 85 inches, 170.2 x 215.9 x 5.1 cm, MMG#29661
Time Signatures Won't, 2018, Acrylic on canvas over panel, 87 1/4 x 113 inches, 221.6 x 287 cm, MMG#30125
Glass Altar, 2018, Acrylic on canvas over panel, 58 x 95 inches, 147.3 x 241.3 cm, MMG#30127
Embers, 2018, Acrylic on canvas over panel, 22 x 18 inches, 55.9 x 45.7 cm, MMG#30128
The Fourth Level of Worship, 2018, Acrylic on canvas over panel, 27 3/4 x 36 3/4 inches, 70.5 x 93.3 cm, MMG#30129
Warp and Weft, 2018, Acrylic on canvas over panel, 36 3/4 x 45 inches, 93.3 x 114.3 cm, MMG#30130
Silent Star, 2018, Acrylic on canvas over panel, 72 1/2 x 59 inches, 184.2 x 149.9 cm, MMG#30131
The Very Place I Could Not Remember, 2018, Graphite, CA adhesive, acrylic, 12 x 8 3/4 x 9 1/2 inches, 30.5 x 22.2 x 24.1 cm, MMG#30134
Autumn, 2018, Powdered egg shell and resin, 13.5 x 13.5 x 9 inches, 34.3 x 34.3 x 22.9 cm, MMG#30135
The Look-Out, 2018, Graphite on paper, 11 x 14 inches, 27.9 x 35.6 cm, MMG#30136
Wish You Were Here, 2018, Graphite on paper, 11 x 14 inches, 27.9 x 35.6 cm, MMG#30137
Interior Surveillance, 2018, Graphite on paper, 11 x 14 inches, 27.9 x 35.6 cm, MMG#30138
Statuary Surprise, 2018, Graphite on paper, 11 x 14 inches, 27.9 x 35.6 cm, MMG#30139
Director's Cut, 2018, Graphite on paper, 11 x 14 inches, 27.9 x 35.6 cm, MMG#30140
NEW YORK, NEW YORK – MILES MCENERY GALLERY is pleased to present an exhibition of recent paintings, drawings, and sculptures by Tom LaDuke, on view 15 November through 22 December at 525 West 22nd Street. A public reception will be held for the artist on Thursday 15 November from 6:00 to 8:00pm. The exhibition is accompanied by a fully illustrated catalogue, featuring an essay by Benjamin Weissman.
Tom LaDuke’s newest works are seductive, intriguing, and playful, yet complicated. They encourage viewers to cautiously examine and reorient themselves in a world where both the real and unreal coalesce. In this series of paintings, drawings, and sculptures, LaDuke continues his exploration of time, space, and perception—an existential reflection that has preoccupied the artist in recent years.
Fascinated by the energy within spaces, LaDuke chooses to depict his studio as well as galleries that not only house his favorite artists, but also are easily recognizable to viewers. He sees the architectural space of the gallery as the spine of an exhibition: it disappears and serves merely as the support for hanging shows. Before putting brush to canvas or pencil to paper, LaDuke uses Blender, a 3D computer graphics software, to draft the design of the work. As a result, each work in this exhibition has a digital counterpart, where the objects represented can be rotated and observed from every angle. This includes lighting, color, texture, viewing position, and depth of field. The paintings and drawings on display capture a single snapshot of a landscape that exists in digital memory.
Depicting what at times appears to be a foggy film projection or airy unidentified industrial spaces, LaDuke builds the foundational layer. Despite its blurred quality, it alludes to an existing space and is meant to draw the viewer in through a feeling of recognition. The subsequent layers in the foreground—often comprised of a series of brightly, colored impasto brushstrokes—frequently refer to equally real elements outside of the frame of view established by the initial background. These seemingly untethered marks are reflections of components that are behind, aside, or in front of the determined picture plane. LaDuke’s paintings situate the viewer in an illusory middle dimension, suspended between the many layers. Though done in graphite on paper, the artist’s drawings are also created through a similar process, albeit with slightly more eerie results. While the surfaces of the works are a broad playground, reality is always present.
LaDuke adopts this same approach in his sculptures. Made out of graphite, CA adhesive, and acrylic, "The Very Place I Could Not Remember" is a perfect example of the artist’s illusionary, yet slowly recognizable world. At first glance, the balloon-shaped form appears to be reflecting the surrounding space in its glossy finish. Upon closer examination, however, the viewer realizes that the surface holds a painted reflection of the artist in his studio—creating a disorienting effect.
In each of his paintings, drawings, and sculptures, LaDuke presents multiple layers to consider, all with their own references and meanings. His works compel the viewer to pause and observe as the elements gradually unfurl and become apparent in ways that may be surprising. As Benjamin Weissman describes, “Viewing these paintings means giving up your expected routes and sense of direction, letting the painting keep you off balance and giving yourself over to its vocabulary, layering, rhythms, rules or lack of convention.”
TOM LaDUKE (b. in 1963 in Holyoke, MA) received his Bachelor of Fine Arts degree in 1991 from California State University in Fullerton, CA, and his Master of Fine Arts degree in 1994 from the School of the Art Institute of Chicago in Chicago, IL.
Recent solo exhibitions include CRG Gallery, New York, NY (2016, 2014, 2011); Kohn Gallery, Los Angeles, CA (2015); and “run generator,” Pennsylvania Academy of thFine Arts, Philadelphia, PA (2010).
Recent group exhibitions include “Belief in Giants,” Miles McEnery Gallery; “Loose Canon,” LA Louver, Venice, CA; “Inaugural Exhibition,” CRG Gallery, New York, NY; “New Art For A New Century: Contemporary Acquisitions 2000-2010,” Orange County Museum of Art, Newport Beach, CA; “FYI – The Reflected Gaze – Self Portraiture Today,” Torrance Art Museum, Torrance, CA; “TOOLS, “Williamson Gallery, ArtCenter College of Design, Pasadena, CA; “Like Lifelike: Painting in the Third Dimension,” Sweeney Art Gallery, University of California, Riverside, CA; “New Works: A Group Show of Gallery Artists,” Angles Gallery, Santa Monica, CA; and “SceneSeen: Recent Acquisitions from the Luckman Fine Arts Complex Permanent Collection, 1979-2006,” Cal State Los Angeles, Los Angeles, CA.
His work is included in the permanent collections of Albright-Knox Art Gallery, Buffalo, NY; The Alfond Collection of Contemporary Art at Rollins College, Cornell Fine Arts Museum, Winter Park, FL; Solomon R. Guggenheim Museum, New York, NY; Jumex Collection, Mexico City, Mexico; Luckman Gallery, California State University, Los Angeles, CA; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art San Diego, San Diego, CA; Nerman Museum of Contemporary Art, Overland Park, KS; Orange County Museum of Art, Newport Beach, CA; Pennsylvania Academy of Fine Art, Philadelphia, PA; Portland Art Museum, Portland, OR; and The Speed Art Museum, Louisville, KY
Tom LaDuke lives and works in Los Angeles, CA.