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New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

New York, NY: Miles McEnery Gallery, ‘Esteban Vicente,’  28 July - 26 August 2022

Untitled #5, 1998, Oil on canvas, 42 x 52 inches, 106.7 x 132.1 cm, MMG#6678

Untitled #5, 1998, Oil on canvas, 42 x 52 inches, 106.7 x 132.1 cm, MMG#6678

Meditative, 1993, Oil on canvas, 42 x 50 inches, 106.7 x 127 cm, MMG#6451

Meditative, 1993, Oil on canvas, 42 x 50 inches, 106.7 x 127 cm, MMG#6451

Instinctive, 1994, Oil on canvas, 50 x 42 inches, 127 x 106.7 cm, MMG#6496

Instinctive, 1994, Oil on canvas, 50 x 42 inches, 127 x 106.7 cm, MMG#6496

Four, 1996, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6593

Four, 1996, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6593

Untitled, 1996, Oil on canvas, 50 x 42 inches, 127 x 106.7 cm, MMG#6597

Untitled, 1996, Oil on canvas, 50 x 42 inches, 127 x 106.7 cm, MMG#6597

NYC Landscape, 1997, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6651

NYC Landscape, 1997, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6651

Untitled #14, 1997, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6638

Untitled #14, 1997, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6638

Untitled #15, 1997, Oil on canvas, 42 x 32 inches, 106.7 x 81.3 cm, MMG#6642

Untitled #15, 1997, Oil on canvas, 42 x 32 inches, 106.7 x 81.3 cm, MMG#6642

Forma Color, 1998, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6715

Forma Color, 1998, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6715

Color Luz, 1999, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6730

Color Luz, 1999, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6730

Ideal Forms, 1999, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6737

Ideal Forms, 1999, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6737

Sin Titulo, 1999, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6752

Sin Titulo, 1999, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6752

Untitled, 2000, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6991

Untitled, 2000, Oil on canvas, 52 x 42 inches, 132.1 x 106.7 cm, MMG#6991

Press Release

Miles McEnery Gallery is pleased to announce an exhibition of late paintings by Esteban Vicente. The artist’s seventh solo exhibition at the gallery will open on 28 July at 520 West 21st Street and remain on view through 26 August 2022. The exhibition is accompanied by a fully illustrated catalogue featuring an essay by Tom McGlynn.

“Esteban Vicente belonged to a generation of artists who were true believers in the salutary effects of abstract painting. As a first-generation Abstract Expressionist, he shared with colleagues such as Mark Rothko and Philip Guston a sense that the lyrical in abstract art has the potential to immediately address the heart, soul, and mind of the viewer. It’s a working idea that the candor of subjective sincerity might find a way to speak to the grandeur of objective truth. Each artist of that generation found their way toward such an ambitious goal through intense introspection and formal experimentation in the studio, which consequently revealed the exact nature of the artist’s individual temperament. Some cleaved broodily while others cleaved lyrically,” McGlynn conveys.

The works in this survey, all produced within the last decade of Vicente’s life, offer an encapsulated view of formal tropes that defined his broad career. Being later works, they retain an ultimate, yet not exactly final, authority, since the artist characteristically suggests with each of his canvases a jumping-off point for the next. “There’s a youthful, restless quality evident in the studious inventions of these late works. Perhaps the greatest lesson Vicente has left for us is the idée fixe of constant painterly evolution.”

Esteban Vicente was born in Turégano, Spain in 1903. His father served in the Civil Guard, a police force in the Castile region and was an amateur painter who took the young Vicente with him on visits to the Prado Museum. In 1918, Vicente entered military school, but left after three months. At fifteen years old, Vicente began at the School of Fine Arts of the Real Academia de San Fernando in Madrid. As a young man living in Madrid, Barcelona, and Paris, he developed friendships with artists and writers. In 1928, he had his first exhibition with Juan Bonafé at the Ateneo de Madrid.

Vicente left Europe for New York City in 1936. The United States became the artist’s permanent home. His contemporaries and associates included Willem de Kooning (their 10th Street studios were on a shared floor), Elaine de Kooning, Jackson Pollock, Mark Rothko, Franz Kline, Barnett Newman, and Ad Reinhardt.

Vicente spent a good portion of his career teaching. He was among the faculty at Black Mountain College, Black Mountain, NC; the New York Studio School of Drawing, Painting and Sculpture, New York, NY; and the University of California, Berkeley, CA, among other institutions.

In addition, he received numerous awards, some of them being the most prestigious given to an artist in the United States. His work may be found in important collections and museums such as The Metropolitan Museum of Art, New York, NY; The Museum of Modern Art, New York, NY; The Whitney Museum of American Art, New York, NY; and The Solomon R. Guggenheim Museum, New York, NY, among others.

At the end of his life, the Museo de Arte Contemporáneo Esteban Vicente, a museum in his honor, was opened in Segovia by the Spanish government. Vicente attended the museum’s opening in 1998.

Vicente passed at the age of 97 in 2001 in Bridgehampton, NY, ten days before his 98th birthday. He had a long and prosperous career, living and working with multiple generations of artists and painting well into his nineties at his home in Bridgehampton.

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