ILOVEYOU, 2024, Acrylic and oil on canvas, 52 x 60 inches, 132.1 x 152.4 cm, MMG#36466
No Chance, 2024, Acrylic and oil on canvas, 72 x 80 inches, 182.9 x 203.2 cm, MMG#37266
Bliss Plus, 2023, Acrylic and oil on canvas, 60 x 80 inches, 152.4 x 203.2 cm, MMG#36383
Blue Planet, 2023, Acrylic and oil on canvas, 60 x 80 inches, 152.4 x 203.2 cm, MMG#36055
Flash, 2023, Acrylic and oil on canvas, 72 x 96 inches, 182.9 x 243.8 cm, MMG#36054
Hello Goodbye, 2023, Acrylic and oil on canvas, 61 x 66 inches, 154.9 x 167.6 cm, MMG#35589
Radiant Sky, 2023, Acrylic and oil on canvas, 60 1/4 x 80 inches, 152.4 x 203.2 cm, MMG#36051
Dazzling, 2022, Acrylic and oil on canvas, 61 x 77 inches, 154.9 x 195.6 cm, MMG#34634
Pink and Orange Moiré, 2022, Acrylic and oil on canvas, 44 x 47 inches, 111.8 x 119.4 cm, MMG#34571
Rose Fern, 2022, Acrylic and oil on canvas, 24 x 24 inches, 61 x 61 cm, MMG#34573
We Are Easily Fooled, 2022, Acrylic and oil on canvas, 60 x 54 inches, 152.4 x 137.2 cm, MMG#34952
Blue Lea, 2021, Acrylic and oil on canvas, 36 x 36 inches, 91.4 x 91.4 cm, MMG#34572
Melon Cube, 2021, Acrylic and oil on canvas, 36 1/4 x 36 1/3 inches, 91.4 x 91.4 cm, MMG#33432
Slide or Skid, 2021, Acrylic and oil on canvas, 37 x 32 inches, 94 x 81.3 cm, MMG#33270
Updrift, 2021, Acrylic and oil on canvas, 77 x 66 inches, 195.6 x 167.6 cm, MMG#33548
Upward Descent, 2021, Acrylic and oil on canvas, 66 x 61 inches, 167.6 x 154.9 cm, MMG#33557
Trudy Benson in her studio, Hudson Valley, 2026.
Trudy Benson (b. 1985 in Richmond, VA) received her Master of Fine Arts from the Pratt Institute, Brooklyn, NY and her Bachelor of Fine Arts from Virginia Commonwealth University, Richmond, VA.
She has been the subject of solo exhibitions at Ceysson & Bénétière, Lyon, France, Saint-Étienne, France, Paris, France, and Luxembourg City, Luxembourg; Galerie Krinzinger, Vienna, Austria; Half Gallery, New York, NY; Lisa Cooley, New York, NY; Lyles & King, New York, NY; Massif Central, Brussels, Belgium; Miles McEnery Gallery, New York, NY; Ribordy Contemporary, Geneva, Switzerland; and SUNNY NY, New York, NY.
Her work has been included in group exhibitions at Ceysson & Bénétière, Koerich, Luxembourg; Eric Firestone Gallery, East Hampton, NY; Gaa Projects, Cologne, Germany; Krinzinger Schottenfeld, Vienna, Austria; Miles McEnery Gallery, New York, NY; m.simons, Amsterdam, The Netherlands; Mother Gallery, Beacon, NY; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art Denver, Denver, CO; Over the Influence, Los Angeles, CA; Saatchi Gallery, London, United Kingdom; and The Hole, East Hampton, NY and New York, NY.
Benson’s work may be found in the collections of the Aïshti Foundation, Beirut, Lebanon; Beth Rudin DeWoody Collection, New York, NY; Hudson Valley MOCA, Peekskill, NY; Portland Museum of Art, Portland, ME; Saatchi Gallery, London, United Kingdom; Schwartz Art Collection, Harvard Business School, Cambridge, MA; and Susan and Michael Hort Collection, New York, NY.
The artist lives and works in Hudson Valley, NY.
We are thrilled to return to The Armory Show for the fair's 2024 edition at the Javits Center.
Lauren Nickou reviews Trudy Benson's exhibition Plastic Paintings at Galerie Krinzinger.
Trudy Benson's Kintsugi (2021) is available to bid on in the Rema Hort Mann Foundation's 25th Anniversary Gala Silent Benefit Auction 2022.
The right partnership between an artist and a gallery is one that fosters growth and helps to move an artist’s career forward. For many artists, joining a new gallery can often open up different possibilities when it comes to their practice. It also often introduces their work to a wider net of curators and collectors. The relationship between gallery and artist has become all the more crucial as the world slowly begins to open back up after a year and a half of disruption brought on by the ongoing pandemic. Below, we highlight nine artists who made major gallery moves this past summer.
NEW YORK, NEW YORK – MILES McENERY GALLERY is delighted to announce its representation of Trudy Benson.
Reminiscent of 1980s computer graphics and early image manipulation programs, Benson’s abstract paintings form a digital language that elicit sensations of nostalgia. What distinguishes Benson’s work from digital image-making techniques of the past is her attention to the experience of seeing and handling the dynamic nature of paint. As an artist, Trudy Benson recognizes the importance of referencing the past while also positioning herself in a place to move and grow beyond the history in which her work developed.
